Members Of The Motet, TAB, & More Tribute Jamiroquai At Brooklyn Comes Alive [Audio/Videos]

first_imgIn one of the most highly anticipated and well-attended performances of Brooklyn Comes Alive 2017, members of The Motet assembled a handful of funky friends for a fantastic tribute to Jamiroquai on Sunday evening at the Music Hall of Williamsburg. With longtime aficionados Joey Porter (keyboards) and Dave Watts (drums) at the helm, the group led a spirited audience on a journey down the alleys and annals of yesteryear. Brooklyn Comes Alive’s swollen all-star band provided an authentic balance, at once true to Jamiroquai’s ethos yet adding their own personalities and flair to the timeless compositions. Along with Motet bandmates bassist Garrett Sayers, guitarist Ryan Jalbert, and vocalist Lyle Divinsky, Porter and Watts called upon awesome auxiliary players to round out a dynamite ensemble: the inimitable Jen Hartswick on trumpet and backup vocals, her trusty trombone foil Natalie Cressman, and RAQ/Electric Beethoven scientist Todd Stoops on another rack of synths and keyboards. BCA MVPs Maurice Brown (trumpet) and Snarky Puppy’s Nate Werth (percussion) also joined in on the funk during the hour-plus adventure. Jamiroquai is back in the cultural consciousness in 2017 with their tremendous new album Automaton, released in March, yet the band has not performed on U.S. soil in a dozen years. This tribute took an opportunity to focus on the halcyon days of the band from 1992-1999—a span that encompasses their four most celebrated albums: Emergency on Planet Earth (1993), Return of the Space Cowboy (1995), Travelling Without Moving (1997), and Synkronized (1999). The songwriting and instrumental performances found on these records and the resulting tours are the stuff of legend, and provided a phenomenal roadmap for these virtuosos to explore. Beginning with the electro-disco funk of “Cosmic Girl”, Divinsky assumed the position as Jay Kay and offered his take on the Buffalo Man’s stylish delivery, while the band cranked out the four-on-the-floor groove, setting the proverbial tone for the excursion. On the early material like “Hooked Up”, “Emergency on Planet Earth” and Jamiroquai’s 1992 debut single “When You Gonna Learn?”, the group remained faithful to the aesthetics and arrangements of the originals. Jalbert held things down with quiet storm riddims and choice voicings, while Stoops and Porter were four hands gelling swiftly, comping mightily in honor of the late, great Toby Smith. Few artists can command a stage like Hartswick, and though she was not fronting the band, her presence was felt regularly. She and Cressman added divine elements and a feminine touch that brought a diversity to the vibe and the proceedings.On Space Cowboy’s magnificent “Light Years”, bright pianos stepped to the middle of the mix with authority, while horns took center stage with soaring brass leads and salacious swagger. The captivating conglomerate really found their footing on jams from the gazillion-selling Traveling Without Moving. On “Use the Force”, Brown stepped to the forefront and provided a thrilling trumpet solo, while Werth and Watts got busy underneath a freight train. The colossal “Virtual Insanity” saw the masterful Sayers channel Stuart Zender’s luscious lines with aplomb; all evening, the bassist did the legendary introverted virtuoso proud with nimble fretwork and a tastefully sexy attack. As Divinsky worked the crowd into fits of intoxication, he remarked that the band was nearly out of time, much to the chagrin of the teeming masses that were lapping up the performance. The group then rallied their way into 1999’s “Canned Heat”, a song burned into our hearts and minds forever from its classic placement in the film Napoleon Dynamite. With it’s “nothing left for me to do but DANCE” coda ringing out into the rafters, ’twas a fitting refrain and mantra for this set, for our current cultural climate, and for Brooklyn Comes Alive 2017 as it wound to a conclusion. Tribute To Jamiroquai “Cosmic Girl” 9.24.17 Brooklyn Comes AliveTribute To Jamiroquai “High Times” 9.24.17 Brooklyn Comes AliveTribute To Jamiroquai “Light Years” 9.24.17 Brooklyn Comes AliveTribute To Jamiroquai “Use The Force” 9.24.17 Brooklyn Comes AliveTribute To Jamiroquai “Hooked Up” 9.24.17 Brooklyn Comes AliveTribute To Jamiroquai “Alright” 9.24.17 Brooklyn Comes AliveTribute To Jamiroquai “Virtual Insanity” 9.24.17 Brooklyn Comes AliveTribute To Jamiroquai “Canned Heat” 9.24.17 Brooklyn Comes AliveYou can listen to the full set below, as recorded and mixed by Eric McRoberts:Setlist: Jamiroquai Tribute | Brooklyn Comes Alive | New York City | 9.24.17Cosmic Girl, Too Young To Die, High Times, Light Years, Use The Force *, [email protected], Hooked [email protected], Virtual [email protected], Canned [email protected] To Jamiroquai:Dave Watts – Drums (The Motet)Joey Porter – Keys (The Motet)Garrett Sayers – Bass (The Motet)Ryan Jalbert – Guitar (The Motet)Lyle Divinsky – Vox (The Motet)Todd Stoops – Keys (Electric Beethoven, RAQ)Jennifer Hartswick – Trumpet / Vox (Trey Anastasio Band)Natalie Cressman – Trombone – Vox (Trey Anastasio Band)* w/ Maurice “Mobetta” Brown – [email protected] w/ Nate Werth – Percussion (Snarky Puppy)[Photo: Mark Millman]last_img read more

Vautour goes down fighting as Cue Card claims King George

first_imgVautor was pipped by Cue Card (9-2) in the William Hill King George VI Chase at Kempton. Mullins was magnanimous in defeat and admitted it was “probably” a lack of stamina which cost Vautour. “He did everything right, bar the last 20 yards,” said Mullins. “He didn’t jump the last as efficiently as he could have, but it was a very brave run, as it was from the winner. “I don’t know if his stamina gave out, but it probably looks like that. We won’t make a decision about the Gold Cup for a while, we’ll see what we have to run in it when it comes – I won’t be taking him out of it, anyhow.” Trainer Colin Tizzard, whose stable star is now on the verge of a £1million Jockey Club bonus if he can win the Gold Cup, said: “Nowadays he’s a completely different horse, he might not look as if he’s going very well but he has that left for the end. It’s fantastic. “He’s been a great horse for five or six seasons now. Going to the last if he’d met it on a good stride he’d have won easier. “We’ll see how he is, but he looks like a Gold Cup horse now, whether he races again (before Cheltenham) I don’t know, he’s had a hard race and was all out. It’s lovely he relaxes so well in a race, it’s brilliant.” Press Associationcenter_img Willie Mullins’ Vautour had looked all over the winner after taking over at the head of affairs on the second circuit and was still on a hard rein with three furlongs to run as the rest were coming under pressure, none more so than the favourite Don Cossack, who to his credit was still in with a chance when he fell at the second-last. Cue Card looked to be booked for second as Vautour pinged two out under Ruby Walsh, but his stride began to shorten. Paddy Brennan needed a big leap on Cue Card at the final fence but he got in tight, as did Vautour, and the two gave their all on the run to the line, with Cue Card just getting the verdict. last_img read more

“The Beauty of Grbavica” is the first Story on the Official Website of UEFA

first_imgThe Junior team of FC Zeljeznicar made their way to the 2nd round of the Youth League after they won against Bulgarian Ludogorets with the result 3: 2. They achieved this victory thanks to a goal in the last seconds of the match.This victory was enough for the team of Omer Joldic to finish in the next round where they will meet with Lokomotiva from Zagreb.It is especially interesting that the young hopes of the club from Grbavica ended up as the first story on the official web page of the Youth League on UEFA.com after their victory.In the end, we should remind that the Junior team of the FC Zeljeznicar will play the first match against Lokomotiva on November 1, in Zagreb, while the return match is scheduled for November 22, and it will be played at the Grbavica Stadium.(Source: faktor.ba)last_img read more